Saturday, March 7, 2015

Out Today! Spin Marvel & Free Nelson MandoomJazz



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For Immediate Release Please
  


Infolding

SPIN MARVEL'S
Third Provocative, Genre-Busting Project

Nils Petter Molvaer
Appears On Upcoming
RareNoiseRecords
Debut


AVAILABLE IN STORES AND ONLINE TODAY
AND THROUGH RARE NOISE RECORDS
ON CD, VINYL AND HI-RES DIGITAL DOWNLOAD


Nils Petter Molvaer
Trumpet
Martin France
Drums
Terje Evensen
Live Electronics
Tim Harries
Bass
Emre Ramazanoglu
Drums


 
          

ABOUT THE LABEL - RareNoiseRecords was founded in late 2008 by two Italians, guitarist/arranger/ producer Eraldo Bernocchi and all-round music nut Giacomo Bruzzo. Located in London, the label was created to present a platform to musicians and listeners alike who think beyond musical boundaries of genre. For further information and to listen please go to www.rarenoiserecords.com .


New York, March 2, 2015 - Spin Marvel is the brainchild of British drummer Martin France, here joined by an all-star crew of celebrated Norwegian trumpeter and electronic music pioneer Nils Petter Molvaer, bassist Tim Harries (formerly of Bill Bruford's Earthworks), Norwegian electronic sculptor Terje Evensen and remix maestro Emre Ramazanoglu. Together they create spacious and dramatic soundscapes of profound intensity on the startlingly original Infolding, blending aspects of free jazz, ambient music and electronica in provocative ways.

From the serene to the unsettling, this latest Spin Marvel project morphs into a myriad of moods and melodies over the course of six dynamic tracks. "Canonical" opens with an airy ambient touch before exploding into free jazz tumult paced by Harries' throbbing fuzz bass and France's powerful traversing of the kit, with Molvaer's highly processed cathartic wail layered over the top. "Tuesday's Blues" opens with spacious trumpet before gradually evolving into an in-the-moment adventure anchored by Harries' hellacious fuzz bass and France's interactive, Elvin Jones-inspired swing beat. "Two Hill Town" has Molvaer creating half-time trumpet melodies that float dreamily over France's simmering pulse before the proceedings heat up to a turbulent boil. "Leap Second" makes dramatic use of silence and echo, with Molvaer's haunting trumpet tones resounding over France's subtle brushwork before the piece builds to an intense crescendo. The 16-minute "Same Hand Swiss Double Pug" opens as a kind of ambient bolero before France bursts into a Buddy Rich styled flurry on the snare drum midway thru, triggering a change in mood that culminates in a freewheeling collective improv. And the collection closes on a haunting and kinetic note with the echo-laden "Minus Two," Emre's lone drumming showcase.

France, a veteran drummer on the U.K. jazz scene who played in the cooperative group First House and the big band Loose Tubes during the '80s and later worked with Iain Bellamy and Django Bates in the '90s, has performed and recorded with some of the world's great musicians including Kenny Wheeler, John Taylor, Lee Konitz, Dave Holland, Arild Andersen, Ralph Towner and Marc Johnson. Currently a Professor of Jazz (Drums/Percussion) at the Royal Academy of Music in London, he applies his considerable skills and musical touch to the kit in the more open-ended environment of his Spin Marvel projects. "The use of openness and space is a very important part of what we do," he says. "And creating something from this place allows the musician to feel free and uninhibited and move it in a direction they want to express. I have known Nils for many years and was always hoping that an opportunity would arise to somehow get him involved with Spin Marvel". Nils commented, "To play with such wonderful gifted and open minded musicians was a true pleasure".          

Emre, a ubiquitous London session drummer and in-demand producer-programmer-engineer-remix artist, brings a visionary vibe to this latest project. "Infolding was my first time working with Spin Marvel," he says. "I was a huge fan of the earlier records and was hugely excited to get involved. It's a very honest record despite the heavy processing. It's all live takes with no edits or overdubs.      

Infolding began as a single day of live recording with France, Molvaer, Harries and Evensen before Emre came onboard. "It was recorded live in a four hour session for the BBC," explains France. "Sometime after the recording I sat and listened to the takes and selected the performances to form a programme to fit the BBC R3 running time. We were all very happy with the session and how the music was sounding so I forwarded the master files to producer Emre Ramazanoglu, who then worked with the music and produced it for us.

"Martin asked if I would be interested in trying to take the sound on from where it had got to at the end of this session," says Emre. "We didn't really plan this next stage at all but it was understood that we both wanted to keep the unedited live takes and bring out the intensity of the performance as much as possible. I spent a few hours with Martin and Tim on the first mix to check that they were into the approach I was taking and then I mixed the rest myself, trying to establish a coherent atmosphere for the record whilst letting the music and performances lead the way."
                 
Emre explains his modus operandi on Infolding: "I tend to mold my mixing style to the project at hand and on this one I just was led to that kind of dramatic, spacey sound by immersing myself in the mix and creating as much of a performance there as I could. I mixed these tracks really quite intensely and stuck with my first reaction and the decisions that I made from it. I intensively used convolution processing to get different instruments modulating each other and a lot of interactive compression and effect processing to shape the individual voices into larger, dense blocks of sound in which the boundaries between the instruments are blurred perhaps.                

A dynamic and inventive collaboration between potent musical forces, Infolding breaks all the rules while leading the way for new possibilities in music-making.

TRACKS:
1. Canonical
2. Tuesday's Blues
3. Two Hill Town
4. Leap Second
5. Same Hand Swiss Double Pug
6. Minus Two
Photo © Robert Abel 2015
 Photo © Robert Abel 2015 (please credit the photographer)

FREE NELSON MANDOOMJAZZ
Presents New
Full-Length Album

Awakening Of A Capital
On RareNoiseRecords


AVAILABLE IN STORES AND ONLINE TODAY
AND THROUGH RARE NOISE RECORDS
ON CD, VINYL AND HI-RES DIGITAL DOWNLOAD


 
Rebecca Sneddon
Sax
Colin Stewart
Bass
Paul Archibald
Drums

 

  


ABOUT THE LABEL - RareNoiseRecords was founded in late 2008 by two Italians, guitarist/arranger/ producer Eraldo Bernocchi and all-round music nut Giacomo Bruzzo. Located in London, the label was created to present a platform to musicians and listeners alike who think beyond musical boundaries of genre. For further information and to listen please go to www.rarenoiserecords.com .


New York, March 2, 2015 - Hot on the heels of their debut Double EP The Shape Of DoomJazz To Come / Saxophone Giganticus Scottish doom-jazz trio Free Nelson MandoomJazz are back with their first full-length album, Awakening Of A Capital.

In the time that has passed since the release of their first double EP on RareNoiseRecords, Free Nelson MandoomJazz have gone from strength to strength, touring across central Europe during the summer and capping it off by performing at the Match & Fuse London Festival and they also received a personal invitation from Dr. Bert Noglik, the artistic director of Jazz Fest Berlin to play at the festival.

The album title is homage to Luigi Russolo's 1913 seminal recording "Veglio Di Una Città" (from "Die Kunst Der Geräusche") and further develops the musical crossroads of Free Jazz and Doom / Sludge Rock which is so uniquely characterized in their debut recording.

Awakening Of A Capital was recorded in Glasgow, mixed in Italy by sound sculptor Eraldo Bernocchi, and mastered in the US by Mike Fossenkemper. It finds  saxophonist  Rebecca Sneddon, bassist Colin Stewart  and drummer Paul Archibald pursuing a progressive alliance - the saxophone sounds of Peter Brötzmann and "Interstellar" skronk with massive rhythmic distortions, all referenced against '80's stoner-doom, rock-metal and drone noise. The opening track, "Sun Ra," is a tongue-in-cheekacknowledgement of this marriage."

TRACKS
1. Sunn Ra)))
2. The Stars Unseen
3. The Land Of Heat And Greed
4. Poking The Bear
5. The Pillars Of Dragon
6. Erich Zann
7. Slay The Light
8. Beneath The Sea


PRESS CONTACT 
Antje Hübner
hubtone PR | New York
phone: 212-932-1667